Radio Weekly #13

Gigglebox Weekly With Ian Wolf

This week Ian Wolf breaks his dialogue and comes across the longest, most torturous and over-simplistic analogy you’ll ever hear.

Stop/Start

BBC Radio 4 has just started a new season of comedy pilots, and Stop/Start is the first on offer.

It’s written by and stars Jack Docherty, who is perhaps most famous for being part of the team behind the 1980s-90s Channel 4 sketch show Absolutely (referred to by some as the Celtic Monty Python). Stop/Start revolves around three couples, of which Docherty forms one half as Barney Ferguson, with Kerry Godliman playing his wife Cathy.

The main characteristic of Stop/Start is that the entire cast keep stopping the flow of the show in order to explain their point-of-view to the audience, so we get to know what they’re really thinking.

Some readers will probably be thinking that they’ve come across this sort of thing before, namely in Peep Show, in which you’re able to hear a character’s internal monologue. However, this is different. Here, the characters know that you can hear them and therefore try to persuade you to side with their argument.

The show’s quite comparable to some of Docherty’s early sketches on Absolutely, which featured him talking to someone he wanted to avoid, then talking to the camera to explain his true feelings. A tried and tested formula, then. The audience reaction is great, too, especially when they boo some of the asides, like when one character admits to reading someone’s diary.

There’s no doubt that Stop/Start could go on to produce a full series, and I hope Radio 4 does so.

The Now Show

A mainstay of Friday nights (whenever The News Quiz of the Edinburgh Fringe isn’t on), Steve Punt and Hugh Dennis’s satirical comedy returns for its 37th series.

Along with other regulars Mitch Benn and Jon Holmes, this week’s guests were Pippa Evans and John Finnemore. While all had their strengths, my favourite moment was Finnemore’s routine about the Eurozone crisis using what was described as, “the longest, most torturous and yet simultaneously the most over-simplistic analogy in Now Show history.”

One of the other things I found enjoyable was the show’s coverage of the Diamond Jubilee, mainly due to the fact I got just about all of my jubilee coverage from satirical shows. It’s less tedious and more spiritually up-lifting than watching the news. I’m not a monarchist – I couldn’t care less about some posh lady in a rather fancy hat – so for me this was a nice way of getting all the news while cutting out all the rubbish filling-in that TV channels feel they need to do.

The Now Show proves once again that it’s a highly competent satirical comedy that could well continue for another 37 series…